A[ntonius] Divitis

Missa Quem dicunt homines

VatS 55, ff. 79v-94r

4 voices: discantus, altus.tenor, bassus (for additional voice see Agnus III)

KYRIE

Kyrie [I], Christe, Kyrie [II]

Edition

GLORIA IN EXCELSIS DEI

Et in terra, Domine deus, agnus dei, Qui tollis

Edition

CREDO IN UNUM DEUM

Patrem, Et incarnatus est, Crucifixus, Et resurrexit, Et iterum

Edition

SANCTUS

Sanctus, Pleni sunt, Osanna [I]=[II], Benedictus

Edition

AGNUS DEI

Agnus [I], Agnus [II],  Agnus [III] - 5 voices: discantus. altus, contra, tenor [I], tenor [II], bassus

Edition

1_kyrie_soundfile_instru
Divitis
2_gloria_soundfile_instru
Divitis
3_credo_soundfile_instrumental
Divitis
4_sanctus_soundfile_instru
Divitis

Folio Information and Variants

In the extant transmission profile of the works by Divitis, this mass is one of three which are preserved in their complete form. The Missa Quem dicunt homines, which is essentially a parody mass, uses as its model Richafort’s motet of the same name.

In addition to the VatS 55 transmission, this mass is also found in the Marburg/Lahn Westdeutsche Bibliothek 40091 (this source earlier held in the Berlin Staatsbibliothek) and in three prints: Giunta 1522, Attaingant 1532 and Gardane 1543.

Notable is the similarity in architectural design with the immediately preceding transmission in VatS 55, Moulu’s Missa Stephane gloriose.